Music & Entertainment Industry Studies
Chair: Sean McGowan
Office: Arts Building, Suite 288
Telephone: 303-315-7450
Email: CAM@ucdenver.edu
Website: https://artsandmedia.ucdenver.edu/meis
Overview
Music & Entertainment Industry Studies offers the following graduate programs:
Programs
Music & Entertainment Industry Studies offers the following graduate programs:
Please see the Undergraduate Catalog or contact CAM@ucdenver.edu for information about the Bachelor of Science (BS) in Music with emphases in performance, singer/songwriter, music business and recording arts.
Faculty
Associate Professors:
David Bondelevitch, MFA, University of Southern California
Lorne Bregitzer, MS, University of Colorado Denver
Catalin Grigoras, PhD, University Politehnica Bucharest
Sam McGuire, MS, University of Colorado Denver
Assistant Professor:
Cecilia Wu, PhD, University of California Santa Barbara
Contact the Department of Music & Entertainment Industry Studies for information about additional graduate program faculty.
Media Forensics (MSMF) Courses
Students will understand laboratory procedures and the application of A/V technology in the field and in analysis through professional conferences and site visits to crime labs and government agencies. Students will respond to experiences regarding presentation, demonstration, and discussion components. Restriction: Restricted to MFOR-MS students. Repeatable. Max hours: 5 Credits.
Grading Basis: Letter Grade
Repeatable. Max Credits: 5.
Restriction: Restricted to MFOR-MS students.
Students learn theory and application through topical subjects designed to enhance theoretical and practical training in the analysis of forensic media. Emphasis will be placed on emerging technologies, methodological developments, and strengthening fundamental skills. These courses are repeatable for credit. Repeatable. Max hours: 5 Credits.
Grading Basis: Letter Grade
Repeatable. Max Credits: 5.
Critical analysis of legal precedent and court proceedings reveal to students the correlation between science and law in the litigation of forensic evidence. Assigned reading and research papers regarding evidence admissibility and scientific methodology will prepare students for evidence examination. Restriction: Restricted to MFOR-MS students. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to MFOR-MS students.
Typically Offered: Fall.
An introduction to practical research techniques and forensic science periodicals provides students with a foundation for projects and reports in subsequent classes and for the research thesis. Library resources, research design, writing styles, and information technology will be discussed. Restriction: Restricted to MFOR-MS students. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to MFOR-MS students.
Typically Offered: Fall.
Students learn the foundational processes integral to forensic audio, video, and image analysis demonstrating knowledge through reading responses and documentation of procedures and methodology used in assigned projects. Topics include: media recording technology, analog/digital theory, multimedia compression, and equipment characterization. Prereq: MSMF 5100 and 5150 with a B- or higher. Restriction: Restricted to MFOR-MS students. Max hours: 3 Credits.
Grading Basis: Letter Grade
Prereq: MSMF 5100 and 5150 with a B- or higher. Restriction: Restricted to MFOR-MS students.
Typically Offered: Spring.
An introduction to MATLAB workflow and its use in Media Forensics will be explored. Students will learn how to build program commands in scripts for signal analysis and to display graphical representations of data and statistics. Prereq: MSMF 5100 and 5150 with a B- or higher. Restriction: Restricted to MFOR-MS students. Max hours: 2 Credits.
Grading Basis: Letter Grade
Prereq: MSMF 5100 and 5150 with a B- or higher. Restriction: Restricted to MFOR-MS students.
Typically Offered: Spring.
Students explore computer forensics through guided projects and group discussion. An overview of computer hardware/software and characterization of storage media and file types will be covered through mock evidence examination documenting the search, seizure, and acquisition of forensic media. Prereq: MSMF 5200 and MSMF 5250 with a B- or higher. Restriction: Restricted to MFOR-MS students. Max hours: 3 Credits.
Grading Basis: Letter Grade
Prereq: MSMF 5200 and MSMF 5250 with a B- or higher. Restriction: Restricted to MFOR-MS students.
Students learn concepts regarding the proper handling of mobile phones to ensure evidence integrity and approaches to address the ever-changing field. Students are prepared for the acquisition and analysis of forensic media on personal devices through exercises and group projects. Prereq: MSMF 5200 and MSMF 5250 with a B- or higher. Restriction: Restricted to MFOR-MS students. Max hours: 1 Credit.
Grading Basis: Letter Grade
Prereq: MSMF 5200 and MSMF 5250 with a B- or higher. Restriction: Restricted to MFOR-MS students.
Students learn concepts through the application of techniques related to audio enhancement, digital media authentication, acoustic analysis, and automatic speaker recognition. The acquisition and analysis of digital evidence applying reliable methods prepares students for forensic audio analysis in the laboratory. Prereq: MSMF 5300 and 5350 with a B- or higher. Coreq: MSMF 5450. Restriction: Restricted to MFOR-MS students. Max hours: 3 Credits.
Grading Basis: Letter Grade
Prereq: MSMF 5300 and 5350 with a B- or higher. Coreq: MSMF 5450. Restriction: Restricted to MFOR-MS students.
Typically Offered: Fall.
Advanced application of MATLAB for the forensic analysis of audio will be presented including file access, FFT and waveform plotting, and signal detection. Through the exploration of correlation and using mean quadratic difference students will be prepared for media authentication. Prereq: MSMF 5300 and 5350 with a B- or higher. Coreq: MSMF 5400. Restriction: Restricted to MFOR-MS students. Max hours: 1 Credit.
Grading Basis: Letter Grade
Prereq: MSMF 5300 and 5350 with a B- or higher. Coreq: MSMF 5400. Restriction: Restricted to MFOR-MS students.
Typically Offered: Fall.
Students learn concepts through the application of techniques related to forensic video collection and image enhancement, authentication, photogrammetry, and comparison. The acquisition and analysis of digital evidence applying reliable methods prepares students for working on forensic imagery in the laboratory. Prereq: MSMF 5400 and 5450 with a B- or higher. Coreq: MSMF 5550. Restriction: Restricted to MFOR-MS. Max hours: 3 Credits.
Grading Basis: Letter Grade
Prereq: MSMF 5400 and 5450 with a B- or higher. Coreq: MSMF 5550. Restriction: Restricted to MFOR-MS.
Typically Offered: Spring.
Advanced application of MATLAB for the forensic analysis of images will be presented covering image processing and analysis techniques. Through exploring analyses such as Photo Response Non-Uniformity and the BI-Dimensional DFT, students are prepared for image authenticity examinations. Prereq: MSMF 5400 and 5450 with a B- or higher. Coreq: MSMF 5500. Restriction: Restricted to MFOR-MS. Max hours: 1 Credit.
Grading Basis: Letter Grade
Prereq: MSMF 5400 and 5450 with a B- or higher. Coreq: MSMF 5500. Restriction: Restricted to MFOR-MS.
Typically Offered: Spring.
Students are prepared for expert witness testimony through the analysis of mock evidence, complimentary report preparation, and subsequent mock trial. This capstone experience will demonstrate a student’s technical writing and presentation skills and exercise the creation of demonstrative materials. Prereq: MSMF 5500 and 5550 with a B- or higher. Restriction: Restricted to MFOR-MS students. Max hours: 3 Credits.
Grading Basis: Letter Grade
Prereq: MSMF 5500 and 5550 with a B- or higher. Restriction: Restricted to MFOR-MS students.
Students work closely with their thesis advisor in selecting a topic for original research and scientific publication. This capstone project creates an area of specialty for degree candidates. Approved materials are evaluated through report submission and thesis defense. Prereq: MSMF 5600 with a B- or higher. Restriction: Restricted to MFOR-MS students. Max hours: 4 Credits.
Grading Basis: Letter Grade with IP
Prereq: MSMF 5600 with a B- or higher. Restriction: Restricted to MFOR-MS students.
Recording Arts (MRSA) Courses
Surveys existing literature and research in science, technology, and pedagogy of recording arts. Extensive use of available resources in library, electronic and print, trade and scientific publications are explored. Use of computer applications for research and publication are developed. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
In preparation for their thesis/portfolio, students learn research techniques by: applying skills from MSRA 5000, learning research design, performing research, interpreting results, and writing. Students will discover opportunities to add to the body of audio literature and recording techniques. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
This course will give students an overview of the function of sound and music for video games including: history, sound engines, types of audio utilized, stereo and surround sound localization, music capabilities of hardware configurations and future trends in sound for video games. Restriction: Restricted to RCDA-MS majors within the College of Arts and Media. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
Typically Offered: Fall.
Course is a continuation of Sound and Music for Video Games. Topics of study include non-linear music composition and implementation, advanced sound design techniques, optimization, and hands-on experience with modern game engines and game audio engines. Prereq: MSRA 5125. Restriction: Restricted to RCDA-MS majors within the College of Arts and Media. Max hours: 3 Credits.
Grading Basis: Letter Grade
Prereq: MSRA 5125. Restriction: Restricted to RCDA-MS majors within the College of Arts and Media.
Typically Offered: Fall.
Interdisciplinary course on acoustic ecology, sound art, and music technology. Through deep listening, compassionate listening, soundwalking, and interactive music controlled by motion capture, the unifying theme of this course is an engagement with sonic awareness, environment, and self-exploration. Restriction: Restricted to RCDA-MS majors within the College of Arts and Media. Cross-listed with MUSC 4360. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
This course is designed to take a deeper dive into music, electronic music, as well as perceptions of music. Students will be able to create generative compositions, single sample- based compositions, a performative electronic composition, and incorporate multimedia elements into their compositions. Restriction: Restricted to RCDA-MS majors within the College of Arts and Media. Cross-listed with MUSC 4380. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
Selected topical subjects to include live or studio sound recording, sound reinforcement, new technologies or practices in the audio industry. Repeatable. Max Hours: 9 Credits.
Grading Basis: Letter Grade
Repeatable. Max Credits: 9.
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
Reviews all aspects of audio synchronized with picture, including music, sound effects, narration, and dialog replacement. Topics studied with respect to film, video and multi-media. Cross-listed with MUSC 3505. Max Hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
Selected topical subjects to include live or studio sound recording, sound reinforcement, new technologies or practices in the audio industry. Max hours: 9 Credits.
Grading Basis: Letter Grade
Repeatable. Max Credits: 9.
Typically Offered: Fall, Spring, Summer.
This survey of the history of 20th century music in film will acquaint aspiring filmmakers and musicians with a history of the music, as well as concepts of film theory and the creative use of film music. Restricted to RCDA-MS majors within the College of Arts and Media. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
This course explores human-computer interaction in music composition and performance. Students will learn to program and use open-source hardware to build novel and creative musical interfaces and instruments. Restriction: Restricted to Graduate Students. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Graduate level students.
This course focuses on the basic elements of sound reinforcement: acoustics, equalization, equipment and mixing techniques. The major emphasis is the production of the final sonic product. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
Advanced studies in sound recording and reinforcement, aesthetics and techniques of multi-track analog and digital recording and stereo imaging. Team lab recording projects. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
Dialogue editing and mixing for film and television. Recording Voiceover, Automated Dialogue Replacement, Group ADR, Efforts. Noise-reduction, mix levels, compression, limiting, EQ and use of reflected sound. Cross-listed with MUSC 3555. Prereq: MSRA 5505. Max hours: 3 Credits.
Grading Basis: Letter Grade
Prereq: MSRA 5505.
A study and practice of the art of mastering. Topics covered include: history, monitoring, signal flow, metering, jitter, audio restoration, limiting, creating a CD pre-master, & mastering for new media. Students will get practical experience mastering their own projects. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
This lecture-lab course deals with surround sound in film, digital TV and DVD's. Topics include monitoring, microphone techniques, recording, mixing, mastering, delivery formats and psychoacoustics. Students work on two lab projects in the semester. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
Students will work on advanced surround sound projects and study mixing aesthetics, high-definition technology and authoring. Students will have advanced knowledge of these topics and produce professional, competitive material for their demo. Prereq: MSRA 5550, 5575 and 5505, or permission of instructor. Max hours: 4 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
Faculty and majors of the music engineering program assemble to discuss and demonstrate issues of artistic and technical applications of recording technology. Student projects, faculty, and guest lectures provide topical focus. Repeatable. Max hours: 6 Credits.
Grading Basis: Letter Grade
Repeatable. Max Credits: 6.
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
Capstone project based course in which students complete professional quality projects in music production and/or post production. Students refine their engineering skills and develop new skills required for integration in the music industry such as portfolio design and resume development. Max hours: 3 Credits.
Grading Basis: Letter Grade
Repeatable. Max Credits: 3.
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
Deals with advanced audio skills for music recording, including technical and artistic considerations. This is a required course for the MSRA degree. Max hours: 4 Credits.
Grading Basis: Letter Grade
Repeatable. Max Credits: 4.
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
Various topics relating to the study of music performance, music technology and music business. Repeatable. Max Hours: 9 Credits.
Grading Basis: Letter Grade
Repeatable. Max Credits: 9.
Students will learn advanced Pro Tools techniques by designing, conceptualizing, and completing sound for a student film project. This interdisciplinary course prepares students for working relationships between Recording Arts, Film and Video areas and an entry level job in post production. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
Studies the general principles and applications of digital music technology, emphasizing the function and operation of specific computer software. Topics include digital audio workstations, MIDI sequencers, digital signal processing programs, and distribution on optical discs and computer-based mediums. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
Allows graduate students to pursue in-depth study of an audio-related topic, to be discussed with and approved by the Graduate Advisor. A final report or other tangible results will be determined on a case- by-case basis. Repeatable. Max Hours: 3 Credits.
Grading Basis: Letter Grade
Repeatable. Max Credits: 3.
Master of Science in Recording Arts Internship. Restrictions: Restricted to RCDA-MS majors within the College of Arts and Media. Repeatable. Max hours: 6 Credits.
Grading Basis: Letter Grade
Repeatable. Max Credits: 6.
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
Typically Offered: Fall, Spring, Summer.
Students learn concepts through the application of techniques related to audio enhancement, digital media authentication, acoustic analysis, and automatic speaker recognition. The acquisition and analysis of digital evidence applying reliable methods prepares students for forensic audio analysis in the laboratory. Coreq: MSRA 6254 and admittance to Certification in Forensic Audio Analysis Program required. Max hours: 3 Credits.
Grading Basis: Letter Grade
Coreq: MSRA 6254
Students learn concepts through the application of techniques related to forensic video collection and image enhancement, authentication, photogrammetry, and comparison. The acquisition and analysis of digital evidence applying reliable methods prepares students for working on forensic imagery in the laboratory. Coreq: MSRA 6264 and admittance to Certification in Forensic Video and Image Analysis Program required. Max hours: 3 Credits.
Grading Basis: Letter Grade
Coreq: MSRA 6264
Advanced application of MATLAB for the forensic analysis of audio will be presented including file access, FFT and waveform plotting, and signal detection. Through the exploration of correlation and using mean quadratic difference students will be prepared for media authentication. Coreq: MSRA 6214 and admittance to Certification in Forensic Audio Analysis Program required. Max hours: 1 Credit.
Grading Basis: Letter Grade
Coreq: MSRA 6214
Advanced application of MATLAB for the forensic analysis of images will be presented covering image processing and analysis techniques. Through exploring analyses such as Photo Response Non-Uniformity and the Bi-Dimensional DFT, students are prepared for image authenticity examinations. Coreq: MSRA 6224 and admittance to Certification in Forensic Video and Image Analysis Program required. Max hours: 1 Credit.
Grading Basis: Letter Grade
Coreq: MSRA 6224
Surveys available resources for audio education. Interdisciplinary materials in physics, acoustics, engineering, music, broadcast, medicine, psychology, multi-media, theater, and film or video are reviewed. Emphasis on design and development of new methods and materials are pursued. (MSRA graduate students only.) Prereq: MUSC 5000. Max hours: 3 Credits.
Grading Basis: Letter Grade
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
Deals with designing sound for live theater, film, video, television, theme parks, games and soundscapes. Focuses on using technology to achieve specific esthetic aspects of audio production. This is accomplished through lectures, listening assignments, research and lab practice. (For graduate students only.) Max hours: 4 Credits.
Grading Basis: Letter Grade
With the guidance of a thesis advisor, each candidate for the MSRA degree select an approved topic for scholarly review, research and publication. The approved materials are evaluated for written and oral defense. Prereq: MUSC 5000, 5590, 6510, 6580, 6530. Max hours: 4 Credits.
Grading Basis: Letter Grade with IP
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media
With the guidance of a portfolio advisor, each candidate for the MSRA degree produce specified documentation and audio materials that reflect the career intentions of the candidate. A completed "Show kit" or professional "Demo" of the candidate's specialty are produced. The approved materials are evaluated for written, audio and oral defense. Max hours: 4 Credits.
Grading Basis: Letter Grade with IP
Restriction: Restricted to RCDA-MS majors within the College of Arts and Media